There are moments when Cave appears to be slowly coming to terms with what has happened: “Sometimes a little bit of faith can go a long, long way,” he sings. Like Sons of Kemet’s Your Queen Is a Reptile, each track on poet/activist/songwriter Jamila Woods’s second album is named for a pivotal artist of colour, whose legacies she explores as models of how to live life to the fullest. It makes Legacy! Remind Me Tomorrow was a grown-up record that didn’t sound jaded. Specificity is the marker of killer pop (the matches in Pet Shop Boys’ So Hard, the shoelaces in Robyn’s Be Mine), a trope that the In the five years since his previous album, Bill Callahan got married, became a father and attained a level of beatific perspective that could probably settle international conflicts. Which she’s good at, too! This coldblooded EP features others in the tradition (Jadakiss, Pusha-T) and comes off like a gathering of Mafia elders, reflective but still scowling.Behold what’s likely to be the final album of Taylor Swift’s Middle Period, the era in which she jettisoned her country-prodigy training wheels and became a fully formed, ideologically neutral pop star. Those sounds are more than just another layer of Americana cosplay: her obsession with American archetypes, once dismissed as superficial, has matured into an acute understanding of how they are created and frustration at what they conceal. As with Sleater-Kinney’s album, there was so much noise around Lover that it was hard to parse the record itself on release. Like Caroline Polachek, Hannah Diamond and so many others this year, Amber Bain uses super-synthetic electropop and soft rock to say much rougher, grittier truths. Whether in grunge ballads (Jenni), front-porch blues (Orange) or the ambient indie-folk that sways reed-like throughout, the mood is as melancholy as it is beautiful. The chief grotbags of the British indie scene return, retaining a genuinely reptilian edge to their lounge lizard music. Miss Universe doesn’t really need the concept-album framework, with its satirical interstitial muzak from the supposedly caring corporation Wway Health. As with Bowie’s Blackstar and Leonard Cohen’s You Want It Darker, These one-time music students create a perfect simulacrum of 60s and 70s soul, but lit with the lamps of a jazz club rather than the sterile striplighting of a lab. This coldblooded EP features others in the tradition (Jadakiss, Pusha-T) and comes off like a gathering of Mafia elders, reflective but still scowling.Behold what’s likely to be the final album of Taylor Swift’s Middle Period, the era in which she jettisoned her country-prodigy training wheels and became a fully formed, ideologically neutral pop star. All of a sudden, songs about beer and broads seem a little lacking. Unburdened by modish musical trends – no guests, no genre crossovers – it was a feat of immersive beauty, the kind of record you might put on an old-fashioned stereo, dim the lights and sit through in one indulgent sitting, the better to appreciate its three-dimensional production washing over your skin like a gong bath. And then in recent years, she became a pro at stirring up online conversation. While Tyler has always been chameleonic, on Igor his restlessness feels like a conscious choice for the first time, not just the jittering impatience of a young star looking to explore new sounds. If it turned out that those private outpourings resonated with a wide audience, all the better — but that wasn’t the only goal.Instead of making a third album with Alabama Shakes, Brittany Howard went solo on “Jaime,” creating a candid Carlos Santana revved up his band with grooves adapted from Africa The Puerto Rican songwriter Ileana Mercedes Cabral Joglar, who Pounding, gnashing, jabbing and sneering — but also swerving suddenly into passages of intricate interplay — the English rock group Black Midi pulls together all the Each year the album becomes a more fragile thing, and also less meaningful: Musicians are focused on their fame and their art minute to minute, not cycle to cycle. Best Albums of 2019 Our critics chose the best albums of the year — a format that is in an increasingly fragile state in pop music. The artwork for Vampire Weekend’s fourth album is pure Windows 97 ClipArt, earnest United Colors of Benetton graphics, CD-era prosperity in its prominent positioning of Sony’s label. “Utopia” is a clever victory lap — a series of duets with other bachata greats, many who preceded him, that serves as both a collection of microduels and a this-is-your-life of the genre.Each song on “Norman _____ Rockwell!” lands like a stern kick. One album can’t really contain the pop-cultural moment that is Lizzo – The Practice of Love is Jenny Hval’s most ambient album, an eerie, euphoric spell sustained by new-age aura and trance beats.
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