km 184 specs

Cardioid pickup pattern without off-axis colorationThe KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Der Einstieg in den Neumann-Sound. Ein Adapter für alle gängigen Stativgewinde liegt bei. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages). Klar, ehrlich, sauber, hochauflösend. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.The KM 184 is a universal microphone for studio and stage applications.

Stage-Feeling im Studio In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. Luxury tools - Comparision of small-diaphragm condenser microphones, English

Das perfekte Instrumenten-Mikrofon.Das KM 184 hat garantiert jeder schon einmal gehört, denn in zahllosen Studios weltweit gehört es zum guten Ton.

The swivel mount serves to mount the microphone on a microphone stand, a table stand, etc. For 50 years!Powerful compact bi-amplified studio monitor with superb impulse response and resolution.according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMSaccording to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMSaccording to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMSaccording to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMSThe Los Angeles Guitar Quartet finds "The Way" with Neumann

The 184 replaced Neumann’s classic KM84 in the product lineup. An adapter for all common microphone stand threads is included. Der moderne Klassiker für Gesang, Sprache und mehr. Das perfekte Instrumenten-Mikrofon.Klar, ehrlich, sauber, hochauflösend.

Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging.

Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications. This mic has a flexible, open sound and responds well to all sorts of changes. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. The KM 184 can be used for soloists as well as ensembles.

Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering.

Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 is available in nickel and matte black with a swivel mount and a foam windscreen.

Das Stativgelenk dient zur Montage des Mikrofons auf einem Stativ, einem Tischständer usw. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. That’s where the Neumann Series 180 comes in.The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Unser Bestseller For more accessories see also here. (KM 184)

The capsules on these mics are not detachable. Diagrammen und Downloads sind auf „Das Mikro klingt sehr plastisch und offen und ist für alle Veränderungen zu haben.“„Wirklich feine Mikros - und dabei ausgesprochen brauchbare Werkzeuge.

Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything.

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