! Designed by Andrea Palladio, the Villa Almerico-Capra, commonly known as La Rotonda, would become one of the most recognizable buildings of the Renaissance. 2. The design of the building is completely symmetrical; it presents a square plan with identical porticoes projecting from each of the façades. The Spanish and Portuguese voyages to America and Asia, along with Turkish military advances in the eastern Mediterranean, signified the demise of the Italian trade routes—which had been the primary source of wealth for the city-state of Venice. Because of its unique design, a façade is almost always visible: the viewer who walks around the villa never encounters a non-favorable angle.Andrea Palladio with modifications by Vicenzo Scamozzi, Villa Rotonda (formerly Villa Capra), 1566-1590s, near Vicenza, Italy (photo:La Rotonda is perhaps the best known of the many country houses built in the Veneto in the sixteenth century. Andrea Palladio with modifications by Vicenzo Scamozzi, Villa Rotonda (formerly Villa Capra), 1566-1590s, near Vicenza, Italy (photo: At the top of a hill in northern Italy, not far from Venice, stands a majestic villa. Inside, La Rotonda is a colorful and vivid space that looks more like a church than a household. Villa Rotonda While it is officially called Villa Almerico Capra, this iconic building is more famously known as Villa Rotonda. For this reason, La Rotonda was not technically designed as a villa as much as an urban residence placed in the countryside. The edifice was influenced by ancient Roman temples (such as the Pantheon) and sacred complexes (such as the Sanctuary of Fortuna Primigenia). By using ancient Roman temples as a model, Palladio incorporates religious overtones into an otherwise secular space. Palladio was concerned with harmony and mathematical consonance and used the square and the circle as essential, yet elegant forms.The picturesque qualities of the villa in relation to its environment are not coincidental. We believe that the brilliant histories of art belong to everyone, no matter their background. The Renaissance palace was built by one of Italy's most renowned architects, Andrea Palladio, who was from Vincenza. Like other works by Palladio in Vicenza and the surrounding area, the building is conserved as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".The explanation above about the building were so nice to me & i think others too but if the concept development of this building is still available in your libraries, please! Kees Fens, La Rotonda, Volkskrant 10 juli 1999.
Aan alle vier de zijden van het gebouw is een porticus (portiek) aangebracht, De portieken zijn voorzien van een ronde opening, die uitzicht op de omgeving mogelijk maakt. Other articles where Villa Rotonda is discussed: Andrea Palladio: Visits to Rome and work in Vicenza: …for Giulio Capra, called the Villa Rotonda, near Vicenza. Villa capra 1. The religious connotations of La Rotonda are palpable in the vibrant interior, which contrasts with the sober exterior. At the same time, La Rontonda has a perennial quality to it; Palladio’s use of classical elements emphasizes a universal architectural language. What makes La Rotonda extremely unique is that it displays not one, but four of them. It is also known as La Rotonda, Villa Rotunda, Vill a La Rotonda, and Villa Almerico. The ecclesiastical career of Almerico had a definite impact on the building. It is also known as La Rotonda, Villa Rotunda, Villa La Rotonda, and Villa Almerico. Compare this to the map [Quattro Libri dell’Architettura] and the cross-section of the Rotonda. • Poland • Palaces built in Poland based on Palladio's Villa Rotonda: Królikarnia Palace and Belweder in Warsaw, Skórzewski Palace in Lubostroń. At the same time, the villa also becomes a stage that can be contemplated from its surroundings. At the center of the building, a dome emerges over a central, circular hall.
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